12 Jan 2007
Maturity, Femininity & Smarts
http://www.nysun.com/article/46533
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nysun.com/article/46533
BY JAY NORDLINGER [NY Sun, 12 January 2007]
At the moment, there are several outstanding Violettas in the world: Anna Netrebko, Angela Gheorghiu, Renée Fleming. These are sopranos who can fill the title role of Verdi's opera "La Traviata." (That word, "traviata," describes a woman who has gone astray, as Violetta has.) None of the aforementioned stars sang the part when "Traviata" returned to the Metropolitan Opera on Wednesday night, in Franco Zeffirelli's 1998 production.