22 Feb 2007
Goerne/Metzmacher, Wigmore Hall, London
http://www.ft.com/cms/s/a6baef6e-c1ce-11db-ae23-000b5df10621.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/a6baef6e-c1ce-11db-ae23-000b5df10621.html
By Andrew Clark [Financial Times, 22 February 2007]
Schubert and Ives were promised for Matthias Goerne’s latest London recital, one of the German baritone’s typically daring programme ideas. Without warning the Ives was dropped. Apparently the idea had not worked as Goerne intended. That took daring too.