12 Feb 2007
Open stage for noise and drama
http://www.ft.com/cms/s/415cac80-bac0-11db-bbf3-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/415cac80-bac0-11db-bbf3-0000779e2340.html
By Richard Fairman [Financial Times, 12 February 2007]
Right across Europe, it promises to be a noisy weekend. In Madrid there will be giant screens playing opera. Cafés in Lille are offering karaoke opera evenings. At English National Opera, would-be prima donnas can roll up to view a singing lesson and the Opéra national de Bordeaux is going one better with an open invitation to perform in full costume and make-up.