08 Feb 2007
Orfeo, Banqueting House, London
http://www.ft.com/cms/s/6daa66c4-b791-11db-bfb3-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/6daa66c4-b791-11db-bfb3-0000779e2340.html
By Andrew Clark [Financial Times, 8 February 2007]
Exactly 400 years ago, give or take a couple of weeks, Monteverdi’s Orfeo received its first performance in Mantua. A few years later the new Banqueting House at the Palace of Whitehall hosted the first Stuart masques. It was impossible to miss the historical resonance of those two events on Wednesday, when the English Bach Festival performed Orfeo in the Banqueting House, still resplendent in sight and sound after four centuries.