21 Feb 2007
Simon Boccanegra, Metropolitan Opera, New York
http://www.ft.com/cms/s/a912aba2-c10c-11db-bf18-000b5df10621.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/a912aba2-c10c-11db-bf18-000b5df10621.html
By Martin Bernheimer [Financial Times, 20 February 2007]
Simon Boccanegra returned to the Met on Monday in the handsome, ultratraditional production staged a dozen years ago by Giancarlo del Monaco and designed by Michael Scott (David Kneuss currently holds the book). The convoluted masterpiece cast its spell in spite of first nighters who interrupted the music to applaud the scenery, the diva’s entrance and numerous false cadences.