18 Mar 2007
A ‘Barber' Debut for DiDonato
http://www.nysun.com/article/50622
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nysun.com/article/50622
BY JAY NORDLINGER [NY Sun, 16 March 2007]
In November 2005, a mezzo-soprano made her Metropolitan Opera debut as Cherubino in Mozart's "Marriage of Figaro." It was one of those debuts we describe as "sensational." The world is lucky enough to have several excellent Cherubinos at the moment, but, even in this group, the singer onstage that night stood out. She was Joyce DiDonato, from Kansas. She was accurate, stylish, and loaded with personality. In brief, she delivered all the operatic goods.