18 Mar 2007
Dido and Aeneas, Sadler’s Wells, London
http://www.ft.com/cms/s/38aba3b8-d314-11db-829f-000b5df10621.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/38aba3b8-d314-11db-829f-000b5df10621.html
By Gerald Dowler [Financial Times, 15 March 2007]
German Tanztheater, a huge water tank, outlandish costuming, nudity and mime – expectations were running high for Sasha Waltz and Guests in their reading of Purcell’s 1689 masterpiece. You had to forget the huge water tank, which, according to the programme, is supposed to represent Troy . . . no, I don’t see it either.