08 Apr 2007
Bostridge/Adès, St Luke’s Church, London
http://www.ft.com/cms/s/6e2593fe-e45e-11db-bf06-000b5df10621.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/6e2593fe-e45e-11db-bf06-000b5df10621.html
By Richard Fairman [Financial Times, 8 April 2007]
In the atmospheric setting of an evening performance at St Luke’s Church it is easy to imagine ghosts from the past. There was one in particular whose shadowy face kept seeming to materialise in the gloom outside the lofty east window on Tuesday, though he was doubtless a beneficent spirit.