11 Apr 2007
"Giulio Cesare," Crocodile-style
http://www.musicalamerica.com/news/newsstory.cfm?archived=0&storyid=15766&categoryid=4&cookies=1
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.musicalamerica.com/news/newsstory.cfm?archived=0&storyid=15766&categoryid=4&cookies=1
By Carlo Vitali [MusicalAmerica.com, 10 April 2007]
GENOA – The late Herbert Wernicke’s controversial yet witty Handel-ian send-up of “Giulio Cesare” is best described as a kind of neo-Baroque pasticcio, featuring arias from such other of the composer’s operas as “Rinaldo”, “Orlando” or “Tolomeo,” and re-arranged numbers occasionally re-distributed among the characters. Judging by the reception the revival of this 1998 production received April 1 at Teatro Carlo Felice, the piece has achieved cult status, even in the eyes of the Italian public, which is generally wary of such German-style regie-theater.