16 Apr 2007
‘Giulio Cesare': Et Tu, New Met?
http://www.nysun.com/article/52540
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nysun.com/article/52540
By Jay Nordlinger [NY Sun, 16 April 2007]
Handel's "Giulio Cesare," or "Julius Caesar," is now playing at the Metropolitan Opera. And I like to describe it as a three-hour series of highlights. Handel gives you one hit after another, one immortal aria or duet after another. The inspiration never quits. In this, the opera is not unlike "Messiah." "Julius Caesar" is one of the most awesome bursts of creativity in music.