03 Apr 2007
Straddling Puccini’s China, From Smaller Roles to Large Spectacle
http://www.nytimes.com/2007/04/03/arts/music/03tura.html?ref=music
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2007/04/03/arts/music/03tura.html?ref=music
By ANNE MIDGETTE [NY Times, 3 April 2007]
First-time operagoers and long-term fans are drawn to different aspects of opera. First-timers may be pulled in by the excitement of the event: the big music, the spectacle. And in these respects, the Metropolitan Opera’s “Turandot,” which returned on Friday night, certainly passes muster. Franco Zeffirelli’s production delivers a lot of bang (scenery, costumes, number of bodies on stage) for the buck, and in the hands of the ever-impressive conductor Fabio Luisi, the orchestra and the chorus sounded great. And Puccini’s music is pretty hot.