27 May 2007
Così fan tutte, Glyndebourne, UK
http://www.ft.com/cms/s/6b8cc1da-097a-11dc-a349-000b5df10621.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/6b8cc1da-097a-11dc-a349-000b5df10621.html
By Andrew Clark [Financial Times, 24 May 2007]
Tuesday was one of those quintessential Glyndebourne occasions when the sun is out, the picnicking is peaceful and the composer is Mozart. You could tell this was going to be an interesting performance from the very first tumble of chords. It was spacious, it sounded confident, it had a seasoned fluency