27 May 2007
Preview: Fidelio, Royal Opera House, London
http://www.independent.co.uk/arts/music/features/article2579330.ece
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.independent.co.uk/arts/music/features/article2579330.ece
A Florestan who's not to be messed with.
By Michael Church [Indepdent, 24 May 2007]
The pictures had suggested a handsome hunk, but I wasn't expecting the massive weightlifter who erupts into the room. Before I have time to frame my first question, tenor Endrik Wottrich is off, with a ringing declaration of why the freedom-fighting Florestan - the role he is singing in Beethoven's Fidelio - is full of contemporary significance, and perfect for him.