09 Aug 2007
Four Trips to Hell and Back at the Opera
http://www.nytimes.com/2007/08/07/arts/music/07glim.html?_r=1&ref=music&oref=slogin
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2007/08/07/arts/music/07glim.html?_r=1&ref=music&oref=slogin
By ANTHONY TOMMASINI [NY Times, 7 August 2007]
COOPERSTOWN, N.Y., Aug. 5 — Orpheus, the awesomely gifted musician and poet of ancient myth, whose lyrics and songs could entrance wild animals and alter the course of churning rivers, is the hero of countless operas, including Monteverdi’s landmark “Orfeo” of 1607. With this historic work Monteverdi set the parameters and pointed the way for what was to come in the genre.