02 Aug 2007
The evolution of the Proms
http://tls.timesonline.co.uk/article/0%2C%2C25342-2648022%2C00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://tls.timesonline.co.uk/article/0%2C%2C25342-2648022%2C00.html
Colin Matthews [TLS, 1 August 2007]
Any coverage of the Proms is usually accompanied by images of the flag-wavers of the Last Night. What a relief, then, to find that The Proms: A new history, edited by Jenny Doctor and David Wright, is not wrapped in a Last Night jacket, but features a cover photograph that could belong to any night. The bizarre rituals of the closing gala are given their space, but in the context of something much greater: the history of the world’s outstanding music festival.