09 Aug 2007
The man who put opera on the front page
http://www.scena.org/columns/lebrecht/070808-NL-Adams.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.scena.org/columns/lebrecht/070808-NL-Adams.html
By Norman Lebrecht [La Scena Musicale, 8 August 2007]
The busiest composer alive is sitting across the breakfast table, nursing a sore back from the San Francisco long-haul. John Adams, 60, has flown in to conduct a new opera at the Barbican this weekend and another at the Proms in a fortnight; in between, he has a piece being danced by Scottish Ballet at the Edinburgh Festival and a clutch of concert performances. He is, in a word, everywhere.