12 Sep 2007
A slave tale fails to break free
http://www.ft.com/cms/s/2/04a37ada-6146-11dc-bf25-0000779fd2ac.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/2/04a37ada-6146-11dc-bf25-0000779fd2ac.html
By Martin Bernheimer [Financial Times, 12 September 2007]
The summer doldrums in New York have drawn to a merciful close, and so we begin again. The first stirrings of significant musical activity emanate, as usual, from the New York City Opera, which prides itself on playing David to the Goliath of the Met, still dormant next door.