05 Sep 2007
Don ho!
http://thephoenix.com/article_ektid46683.aspx
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://thephoenix.com/article_ektid46683.aspx
(Photo Jennifer Baldwin Peden)
On the road with Mozart and Molière in Don Juan Giovanni
By: CAROLYN CLAY [The Phoenix, 4 September 2007]
In 1665, when it made a brief appearance before being suppressed for a couple of hundred years, Molière’s Don Juan was a “machine play” — noted for its elaborate stage mechanics. In Don Juan Giovanni, a 1994 amalgamation of Molière’s play and Mozart’s Don Giovanni into a philosophic confection with incidental music of the spheres, the machine is a functioning vintage Plymouth on a road trip to nowhere — it travels in circles, like the bike and the wheelchair that also figure in this Sisyphean sex addicts’ journey. Given the source material, the car should probably be a Citroën or a Fiat, but who’s quibbling?