19 Sep 2007
The Culture: 'Samson and Delilah' and religion
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/09/12/DDG0S3FM1.DTL
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/09/12/DDG0S3FM1.DTL
Steven Winn [SF Chronicle, 12 September 2007]
When the third-act curtain went up on "Samson and Delilah" on opening night, someone in the row behind me at the War Memorial Opera House giggled. It was hard to blame her; I was smiling a little myself. The image onstage at that moment, of the bedraggled hero (Clifton Forbis as Samson) pushing a fantastically huge millstone around in a circle, teetered on the edge of a ludicrous sight gag. Even a slightly bigger stone might have tipped the moment into full, unintended parody.