21 Oct 2007
Killer queen
http://music.guardian.co.uk/classical/operalivereviews/story/0,,2193804,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://music.guardian.co.uk/classical/operalivereviews/story/0,,2193804,00.html
Princess, sorceress, child-murderer - Medea is a goldmine for dramatists and composers. As a new production of Handel's Teseo tours, Andrew Huth unmasks an exotic myth
[The Guardian, 19 October 2007]
"Nothing that's grim, nothing that's Greek. She plays Medea later this week," they sing at the beginning of Stephen Sondheim's A Funny Thing Happened on the Way to the Forum. And they don't come much grimmer than Medea, who leaves a trail of havoc through a whole series of Greek myths. Myths recounted by Greeks, that is, for the whole point of Medea is that she's not Greek at all. She's an exotic, a sorceress from a mysterious land at the very edge of the world.