17 Oct 2007
Pushy Mother Plots to Win Her Son the Top Spot
http://www.nytimes.com/2007/10/16/arts/music/16agri.html?_r=1&ref=music&oref=slogin
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2007/10/16/arts/music/16agri.html?_r=1&ref=music&oref=slogin
By ALLAN KOZINN [NY Times, 16 October 2007]
The New York City Opera has been particularly hospitable to Handel, but its productions come and go, often bursting onto the New York State Theater stage for a season and then disappearing. Its “Agrippina” was first seen in 2002, after a 2001 showing at the Glimmerglass Opera, which co-produced it. It has been scarce since then, but on Sunday afternoon Lillian Groag’s ultramodern staging returned to the repertory.