29 Oct 2007
The Endless Scroll
http://www.newyorker.com/arts/critics/musical/2007/11/05/071105crmu_music_ross
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.newyorker.com/arts/critics/musical/2007/11/05/071105crmu_music_ross
New works by Philip Glass.by Alex Ross [New Yorker, 5 November 2007]
Philip Glass is without a doubt America’s most famous living composer of classical music. In fact, he may be America’s only famous living composer of classical music—the single one who would draw nods of recognition (or irritation) if you were to start waving eight-by-ten glossies of modern-music masters at passersby in Times Square.