15 Oct 2007
The Well-tempered Web
http://www.newyorker.com/reporting/2007/10/22/071022fa_fact_ross
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.newyorker.com/reporting/2007/10/22/071022fa_fact_ross
Solie Isokowski and Joyce DiDonato (Photo: Leonardo Vordoni)
The Internet may be killing the pop CD, but it’s helping classical music.
by Alex Ross [New Yorker, 22 October 2007]
In the spring of 2004, I made the questionable decision to start a blog. I reserved a dot-com address, signed up for an Internet-for-dummies service called Typepad, and, to the delight of more than a dozen compulsively Googling insomniacs around the world, began adding dribs and drabs to the graphomaniac ocean of the Web.