26 Oct 2007
Verdi's 'Macbeth' at Metropolitan Opera
http://www.newsday.com/entertainment/arts/ny-etmus5430442oct26,0,4516393.story
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.newsday.com/entertainment/arts/ny-etmus5430442oct26,0,4516393.story
BY MARION LIGNANA ROSENBERG [Newsday, 26 October 2007]
"Macbeth" occupies a special place in Verdi's career. After its 1847 premiere (Verdi revised it in 1865), the composer dedicated it to his beloved father-in-law, calling it "dearer to me than all my other operas." Verdi reportedly made the first Macbeth and Lady Macbeth rehearse their great duet 150 times - the last time with cloaks over their costumes, in the theater lobby, while the world premiere audience waited impatiently.