15 Nov 2007
Seattle Opera's version of Iphigenia: an exchange
http://www.crosscut.com/arts-beat/9025/
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.crosscut.com/arts-beat/9025/
By David Brewster [Crosscut Seattle, 12 November 2007]
Seattle Opera's recent production of Gluck's rarely performed Iphigenia in Taurus was reviewed by Crosscut music critic Fred Hauptman, in an appraisal that was basically positive but critical of the cuts and substitutions of some music, calling them "disfiguring cuts and additions imposed upon a perfect original."