15 Nov 2007
Who Was That Masked Composer?
http://www.theatlantic.com/doc/200001/aaron-copland
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.theatlantic.com/doc/200001/aaron-copland
By David Schiff [Atlantic Monthly]
On May 26, 1953, Aaron Copland testified before the Senate Permanent Subcommittee on Investigations, chaired by Senator Joseph McCarthy. The committee seemed to have only a vague sense of Copland's value as a witness (or as a musician), and probably called him simply because he had become a well-known public figure — an unprecedented accomplishment for an American composer of concert music.