11 Dec 2007
Kwiecien's vocal blasts give songs a pummeling
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/12/11/DD3PTRHH5.DTL
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/12/11/DD3PTRHH5.DTL
Joshua Kosman [SF Chronicle, 11 December 2007]
Mariusz Kwiecien cemented his hold on the imagination of local listeners in June with his dark, dynamic portrait of Don Giovanni, a signature role. But for his Berkeley recital on Sunday, the Polish baritone seemed to be drawing inspiration instead from the Commendatore, the mysterious stone statue that comes to life in Mozart's opera.