06 Dec 2007
The Stand-Alone
http://www.nysun.com/article/67610
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nysun.com/article/67610
(Illustration by Sarah Howell)
BY GEORGE LOOMIS [NY Sun, 6 December 2007]
When the composer Elliott Carter presented the world premiere of his first opera, the one-act "What Next?," at the Berlin Staatsoper in 1999, many critics were perplexed. Mr. Carter was 91 years old, had never written an opera, and was presenting his first with a literal bang — in the form of an automobile accident that started the show. So the question seemed to be, "what's next?"