18 Jan 2008
Lully Returns to the Opéra Comique
http://www.opera-comique.com/2008/presskit.pdf
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.opera-comique.com/2008/presskit.pdf
[Opéra Comique]
On an evening of April 1673, in Rue de Vaugirard in Paris, curious spectators discovered the very first French lyrical tragedy in a jeu de paume (an early tennis court) converted into a modest theatre. The libretto of Cadmus and Hermione had been written by a reputed academician, and the score by the brilliant Music Superintendent of the King. Their song-and-dance work has the distinction of court performances and was set to a drama of unprecedented coherence.