10 Jan 2008
Maazel at the Met, Brünnhilde in a Bind
http://www.nytimes.com/2008/01/09/arts/music/09walk.html?_r=1&ref=music&oref=slogin
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2008/01/09/arts/music/09walk.html?_r=1&ref=music&oref=slogin
By ANTHONY TOMMASINI [NY Times, 9 January 2008]
As soon as Lorin Maazel appeared in the pit at the Metropolitan Opera on Monday night to conduct the season’s first performance of Wagner’s “Walküre,” he received a sustained ovation from the audience. At 77, after an inexplicable 45-year absence, Mr. Maazel has finally returned to the Met. Facing high expectations, he delivered, conducting a lucidly textured, rhythmically incisive and strongly conceived account of this touchstone opera and winning what looked to be very respectful applause from the orchestra musicians when he took a solo curtain call at the end of the five-hour evening.