20 Feb 2008
Giulio Cesare, Amsterdam
http://www.ft.com/cms/s/a638c8fe-dfd7-11dc-8073-0000779fd2ac.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/a638c8fe-dfd7-11dc-8073-0000779fd2ac.html
By Richard Fairman [Financial Times, 20 February 2008]
Since the stir caused by his invigorating recordings of Mozart’s operas there has been a keen following whenever René Jacobs appears in the opera house. For these performances of Handel’s Giulio Cesare, shared between Brussels and Amsterdam, he has brought the Freiburg Baroque Orchestra with him for a few weeks in the frosty north.