22 Feb 2008
Tito Manlio at the Barbican, London
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article3404636.ece
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article3404636.ece
Neil Fisher [Times Online, 21 February 2008]
On the eve of the latest Baroque exhumation in the Barbican, the scholar who oversaw the new edition of Vivaldi's 1718 opera had some advice. “Should you lack the will to delve into the convoluted text,” she wrote in a national newspaper, “have no fear; at this early stage in the history of opera, you can go without.”