05 Mar 2008
A touch of Callas brought out the best in lyrical tenor
http://www.theaustralian.news.com.au/story/0,25197,23324532-5013570,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.theaustralian.news.com.au/story/0,25197,23324532-5013570,00.html
[The Australian, 6 March 2008]
SICILIAN tenor Giuseppe Di Stefano was the most brilliant and sought-after lyric tenor of the 1950s and will long be remembered for the many roles he sang opposite Maria Callas in the opera house as well as the recording studio. Audiences responded immediately to his seductive, openly produced voice, to his natural ebullience and his charismatic stage personality.