30 Mar 2008
Cecilia Bartoli, Salle Pleyel, Paris
http://www.ft.com/cms/s/0/da3de0a2-fc20-11dc-9229-000077b07658.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/0/da3de0a2-fc20-11dc-9229-000077b07658.html
By Francis Carlin [Financial Times, 27 March 2008]
Apotheosis now. Cecilia Bartoli has rolled back into Paris with her Maria Malibran campaign wagon and taken the city by storm. The Malibran souvenir van is parked outside the town hall; Bartoli herself set up shop at the Salle Pleyel, not her usual Paris venue but a sure sign that the concert hall is firing on all cylinders under Laurent Bayle’s stewardship.