05 Mar 2008
Rusalka, Operaen, Store Scene, Copenhagen
http://www.ft.com/cms/s/0/412b68cc-ead6-11dc-a5f4-0000779fd2ac.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/0/412b68cc-ead6-11dc-a5f4-0000779fd2ac.html
(Photo: Thomas Petri)
By Richard Fairman [Financial Times, 5 March 2008]
In the daylight it must almost be possible to see Copenhagen’s emblematic Little Mermaid from the splendid new opera house across the water. Dvorák’s Rusalka is based on a Czech folk tale rather than Hans Christian Andersen’s celebrated story, but there are enough similarities to make the opera an essential choice for the Royal Theatre in Denmark.