05 Mar 2008
Utah Opera: No one-note Cinderella
http://www.sltrib.com/themix/ci_8420538
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.sltrib.com/themix/ci_8420538
By Catherine Reese Newton [Salt Lake Tribune, 4 March 2008]
What's Cinderella without her fairy godmother, pumpkin coach, enchanted mice, midnight curfew and glass slipper? She's Angelina, also known as "La Cenerentola," in Rossini's operatic version of the famous fairy tale. Utah Opera's production - its first "Cenerentola" since 1992 - opens Saturday at Salt Lake City's Capitol Theatre.