17 Apr 2008
Kathleen Battle, Carnegie Hall, New York
http://www.ft.com/cms/s/0/03816b02-0b06-11dd-8ccf-0000779fd2ac.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/0/03816b02-0b06-11dd-8ccf-0000779fd2ac.html
By Martin Bernheimer [Financial Times, 15 April 2008]
Understatement: Kathleen Battle has had an unusual career.
In 1994 she was at the peak of her powers, a lyric-coloratura of uncommon refinement, intelligence and charm. Though small, her silver-bell soprano was perfectly focused. She deserved her place as an international star attraction. Her backstage image, however, seemed less benign. Colleagues reportedly endured outrageous prima-donna indulgences and ego tantrums. Joseph Volpe, macho head of the Met, made a public point of firing her before a revival of La fille du régiment. She never returned to opera.