20 May 2008
L’incoronazione di Poppea, Glyndebourne Festival Opera
http://www.ft.com/cms/s/0/5f900cb4-25be-11dd-b510-000077b07658.html?nclick_check=1
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/0/5f900cb4-25be-11dd-b510-000077b07658.html?nclick_check=1
By Richard Fairman [Financial Times,19 May 2008]
In the 1960s Glyndebourne was one of the places that helped put Monteverdi’s L’incoronazione di Poppea back on the operatic map. At that time the early music renaissance was in its infancy and the opera was lusciously re-orchestrated and staged, whereas now Glyndebourne has moved with the times.