23 Jun 2008
Aldeburgh Festival, Snape Maltings, Suffolk
http://www.ft.com/cms/s/0/86f11ace-4138-11dd-9661-0000779fd2ac.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/0/86f11ace-4138-11dd-9661-0000779fd2ac.html
By Martin Hoyle [Financial Times, 23 June 2008]
Last Thursday György Kurtág and his wife Márta played pieces from his piano collection Játékok on the sonically upholstered upright with its almost woolly sound now favoured by the composer, making his often spiky fragments into the musical equivalent of comfort food.