04 Jun 2008
Scaling Up for 'Die Soldaten'
http://www.nysun.com/arts/scaling-up-for-die-soldaten/79028/
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nysun.com/arts/scaling-up-for-die-soldaten/79028/
By KATE TAYLOR [NY Sun, 2 June 2008]
The opera "Die Soldaten," written in 1965 by the German composer Bernd Alois Zimmermann, is nearly impossible to perform. With its huge orchestra, its intensely difficult 12-tone score, and a narrative in which past, present, and future overlap — Zimmermann once imagined it being performed on 12 stages to distinguish the work's times and locales — the piece has intimidated many an artistic director.