29 Jul 2008
Don Giovanni
http://www.ft.com/cms/s/0/b9ee9bd4-5d05-11dd-8d38-000077b07658.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/0/b9ee9bd4-5d05-11dd-8d38-000077b07658.html
By Andrew Clark [Financial Times, 29 July 2008]
Salzburg treats Don Giovanni in the same way that Mozart's protagonist treats women. There's an insatiable lust - the festival has gone through five productions in the past 20 years - but each is quickly discarded. That's not surprising. In spite of importing the best talent money can buy, the composer's birthplace has seen a poor run of interpretations.