29 Jul 2008
The new Three Tenors
http://www.independent.co.uk/arts-entertainment/music/features/the-new-three-tenors-880231.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.independent.co.uk/arts-entertainment/music/features/the-new-three-tenors-880231.html
By Jessica Duchen [The Independent, 30 July 2008]
It's been 18 years since the Three Tenors proved that classical music could sell. In 1990, they appeared together for the first time at the Baths of Caracala in Rome the night before the World Cup Final: Placido Domingo, Luciano Pavarotti and Jose Carreras captured the public's imagination in a way never seen before or since. Albums shifted in millions. We'll never see their like again.