08 Aug 2008
Radamisto, Santa Fe Opera
http://www.ft.com/cms/s/0/d4e406b0-6302-11dd-9fd0-0000779fd2ac.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/0/d4e406b0-6302-11dd-9fd0-0000779fd2ac.html
By George Loomis [Financial Times,5 August 2008]
The Santa Fe Opera, like most US opera companies, casts a wary eye on Regietheater, or director’s theatre, but it does not shun it. Representing the radical front this summer are the deconstructive talents of David Alden, as trained on Handel’s Radamisto.