15 Sep 2008
Philip Glass: Confessions of a chameleon
http://www.independent.co.uk/arts-entertainment/music/features/philip-glass-confessions-of-a-chameleon-926532.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.independent.co.uk/arts-entertainment/music/features/philip-glass-confessions-of-a-chameleon-926532.html
By Fiona Sturges [The Independent, 14 September 2008]
As a child, the composer Philip Glass worked at his father's radio- repair shop in Baltimore, which doubled as a small record store. It was there that he was exposed to a huge variety of music, from Schubert and Bartok to Hank Williams and Elvis. "I liked nearly all of it," he said years later. "People forgot to tell me some stuff was better than others."