09 Nov 2008
PUCCINI: Tosca — Bruxelles 1958
Tosca: A melodrama in three acts.
Mozart and Salieri, an opera in one act consisting of two scenes.
Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.
First performance: 7 December 1898 in Moscow.
Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.
La Vestale, a tragédie lyrique in three acts.
Boris Godunov, an opera in four acts with prologue
Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire
First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg
Il Trovatore, dramma in four parts.
Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann).
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
Arabella: Lyrische Komödie in three acts
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
La Gioconda, dramma lirico in four acts.
Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835).
Don Carlo, an opera in four acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. Revised version in four acts (French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini).
Un ballo in maschera, a melodramma in three acts.
Music composed by Giuseppe Verdi. Libretto by Antonio Somma, based upon the work of Eugène Scribe Gustave III ou Le bal masqué (1833)
Medea: Melodramma tragico in three acts.
Die Tote Stadt, an opera in three acts.
Music composed by Erich Wolfgang Korngold (1897-1957). Libretto by Paul Schott (Julius and E. W. Korngold) after the novel Bruges la morte by Georges Rodenbach.
Manon Lescaut, dramma lirico in quattro atti
Elektra: Tragedy in one act.
Una cosa rara, ossia Bellezza ed onestà. Dramma giocoso in two acts.
Music composed by Vicente Martín y Soler (1754–1806). Libretto by Lorenzo Da Ponte from the comedy La luna de la Sierra by Luis Vélez de Guevara.
Hamlet: Opéra in five acts. Music composed by Ambroise Thomas. Libretto by Michel Carré and Jules Barbier after The Tragedy of Hamlet, Prince of Denmark by William Shakespeare.
Das Liebesverbot: Grosse komische Oper in two acts.
Tosca: A melodrama in three acts.
Streaming Audio
Music composed by Giacomo Puccini. Libretto by Luigi Illica and Giuseppe Giacosa, based on the play La Tosca by Victorien Sardou.
First performance: 14 January 1900 at Teatro Costanzi, Rome
Principal Roles: | |
Floria Tosca, a famous singer | Soprano |
Mario Cavaradossi, painter | Tenor |
Il Barone Scarpia, Chief of Police | Baritone |
Cesar Angelotti, a political prisoner | Bass |
Il Sagrestano (the sacristan) | Baritone |
Spoletta, a police agent | Tenor |
Sciarrone, a gendarme | Bass |
Un Carceriere (a jailer) | Bass |
Un Pastore (a shepherd) | Boy soprano |
Time and Place: June 1800, Rome
Summary
Act One
Setting: Inside the Church of Sant'Andrea della Valle, Rome.
Angelotti, a political prisoner, enters furtively, having just escaped from the Castel Sant'Angelo through the help of his sister, the Marchesa Attavanti, who has left him some clothes in the church and the key to the Attavanti Chapel, where he can hide and disguise himself. When Angelotti is hidden, the painter Mario Cavaradossi comes in to resume work on a Maria Maddalena. The sacristan points out a resemblance between the Maria Maddalena and a strange lady who has been coming to the church frequently of late (the Marchesa). Mario contemplates the harmony of the stranger's beauty with that of his beloved, Tosca. Angelotti reappears and recognizes his old friend, Mario. Mario promises to help, but they are interrupted by the appearance of Tosca. Angelotti hides, which leads Tosca to become jealously suspicious. Mario allays her suspicions they agree to meet that evening. After Tosca leaves, Angelotti reemerges and Mario takes him to his villa outside the city.
The sacristan returns to announce the defeat of Napoleon but finds Mario has left. Choristers and acolytes prepare the Te Deum to celebrate the victory of the royalists; however, they are silenced when Scarpia enters. He has tracked Angelotti to the church and Mario's lunch basket is found in the chapel. Mario now becomes the target of his suspicions. Using the Marchesa's fan to arouse Tosca's jealousy, she flees the church and is followed by Scarpia's men. Scarpia relishes the thought of having Mario executed and possessing Tosca.
Act Two
Setting: Scarpia's apartments in the Palazzo Farnese.
As the Queen of Naples celebrates the victory in another part of the building, Spoletta arrives to report that Angelotti could not be found at Mario's villa. Mario has been brought in for questioning, but he stands silent. Tosca arrives. Mario urges her not to say anything. She nevertheless reveals Angelotti's whereabouts as Mario is being tortured. Mario rebukes her; however, he is overjoyed when Sciarrone arrives to inform Scarpia that Napoleon has won the battle at Marengo. Scarpia orders Mario to be executed at dawn. Tosca pleas for mercy. Spoletta returns with news that Angelotti has killed himself, rather than be captured. Scarpia offers to hold a mock execution of Mario in exchange for Tosca's love. She agrees. As he writes out the safe-conduct, Tosca grabs a knife on the table. When Scarpia approaches to claim his prize, she stabs him.
Act Three
Setting: Dawn atop the Castel Sant'Angelo.
While a shepherd sings in the distance, Mario is brought up to his place of execution. Alone he contemplates Tosca and his life. Tosca arrives withnews of the mock execution. She admits that she has killed Scarpia. The execution is ordered. Mario falls. Tosca approaches and urges him to rise only to find that he is dead. Spoletta then rushes in to arrest her for the murder of Scarpia. Tosca jumps from the parapet to her death.
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