https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.independent.co.uk/arts-entertainment/classical/reviews/the-return-of-tobias-queen-elizabeth-hall-londonbrvenus-and-adonis-wiltons-music-hall-londonbrthe-nash-ensemble-wigmore-hall-london-1622133.html
Anna Picard [The Independent, 15 February 2009]
It takes a major anniversary to justify a performance of The Return of Tobias. Critically acclaimed at its 1775 premiere, Haydn’s Italian oratorio gives little hint of the meteorological and zoological detail he would later lavish on The Creation and The Seasons. Save for a smattering of Sturm und Drang in the overture, and a sequence of searing dissonances asTobias’s blind father, Tobit, recoils from the sun, this is a domestic oratorio: a simple story of a loving, gentle family, written by an unhappily married, childless composer.