27 Apr 2009
Coronation revived by some great singing and a little restraint
http://www.theglobeandmail.com/servlet/story/LAC.20090427.APOPPEA27ART1617/TPStory/Entertainment
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.theglobeandmail.com/servlet/story/LAC.20090427.APOPPEA27ART1617/TPStory/Entertainment
By Ken Winters [The Globe and Mail, 27 April 2009]
Opera Atelier’s revival of its production of Claudio Monteverdi’s L’incoronazione di Poppea has undergone some subtle but fundamental and welcome changes since Toronto first met it in 2002 (after its 2001 premiere in Houston).