08 Apr 2009
Lohengrin, Staatsoper Berlin
http://www.ft.com/cms/s/2/7176ed16-2389-11de-996a-00144feabdc0.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/2/7176ed16-2389-11de-996a-00144feabdc0.html
By Shirley Apthorp [Financial Times, 7 April 2009]
There have not been more horned helmets in a Wagner opera since Bugs Bunny was Brünnhilde in What’s Opera, Doc?
Stefan Herheim’s Lohengrin for the Staatsoper Berlin is an orgy of Wagner clichés. Lohengrin appears in shining armour, the ladies wear floor-length medieval gowns, there are swords and shields and churches and castles.