21 Jun 2009
'Ghosts of Versailles' an entertaining evening
http://www.stltoday.com/stltoday/entertainment/reviews.nsf/stage/story/80A62C6B9AD75BB9862575D9006EA789?OpenDocument
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.stltoday.com/stltoday/entertainment/reviews.nsf/stage/story/80A62C6B9AD75BB9862575D9006EA789?OpenDocument
By Sarah Bryan Miller [St. Louis Post-Dispatch, 18 June 2009]
Opera Theatre of St. Louis has a history of taking fresh looks at operas that had less-than-stellar beginnings (Britten’s “Gloriana” and Adams’ “Nixon in China,” to name two gleaming examples) and illuminating something greater within them.