09 Jul 2009
An Acrobatic Approach to a Ruminative Tale of Love
http://www.nytimes.com/2009/07/09/arts/music/09amour.html?hpw
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2009/07/09/arts/music/09amour.html?hpw
By Anthony Tommasini [NY Times, 8 July 2009]
LONDON — The struggling New York City Opera should take heart from its “people’s opera” counterpart in London, the English National Opera. Not so long ago the English National was similarly mired in an artistic, administrative and financial crisis. But under the leadership of John Berry, as artistic director, and Edward Gardner, as music director, the company has rebounded. It now draws large audiences to innovative productions at its meticulously restored home here, the old Coliseum Theater, originally a variety hall.